Don't get me wrong. It's not great. It doesn't warrant a
Best Picture nomination. But it is a delightful gem.
There are several distinct, unrelated storylines in
"Rome," giving it a multi-faceted quality. The first involves an
accomplished American architect (Alec Baldwin) coming back to Rome for the
first time in 30 years. In his student days, he had spent a year or so in Rome,
and returning to the city for the first time has overwhelmed him with feeling.
He walks to his old neighborhood and meets an Architecture
student (Jesse Eisenberg) who is doing the same thing Baldwin did, a young
American having a glorious year in Rome that he'll remember forever.
Gradually, the script works in a beautiful touch of
surrealism. There aren't two separate architects. They're the same person.
Baldwin is having a tender visit with his 21-year-old self, reliving the brief
love affair he had in Rome when he was so young. Allen never gets overly
sentimental with this storyline. I found it to be a beautiful meditation on
lost youth.
Eisenberg does a wonderful job with this storyline. It's the
best I've ever seen from Eisenberg. Equally wonderful is Ellen Page ("Hard
Candy," "Juno") as the well-intentioned but self-absorbed
actress with whom the student architect has a one-week affair. One little week
he remembers forever.
The second storyline involves an American couple (Allen and
Judy Davis) in Rome to visit their daughter (Alison Pill), who is engaged to a
young Italian man. When the in-laws meet, hilarity ensues. A crazy subplot
emerges when Allen tries to convince his son-in-law's father to pursue a career
in opera. In addition to providing screwball comedy, this subplot allows the
film to present some of the most beautiful singing you'll hear at the movies
all year.
Thirdly, there's a young Italian couple from a small town
who have come to Rome to celebrate their engagement. Penelope Cruz plays a
good-hearted hooker who gets mixed up with them.
Fourth: Academy Award winner Roberto Benigni plays an
ordinary accountant flung into 15 minutes of fame, in a wildly surrealistic
send-up of the 21st-century mania for reality TV and instant fame.
"To Rome With Love" is a must-see for anyone who
loves Europe and likes his screwball comedy laced with surrealism, opera, and
post-modernism. I loved it.
No comments:
Post a Comment