Are Americans losing interest in cinema? I would say without
a doubt, Yes. For about five years now I have been paying attention to cinema
with more care than ever. I’ve always been an avid moviegoer, but in the past
five years I’ve seen approximately 100 new releases per year. Seeing so many new
films has given me expertise in the reception of cinema – which films find an
audience and which ones don’t.
It has broken my heart to see so clearly how many good,
smart films get ignored in America each year.
Based on what I’ve seen, Americans have been losing interest
in cinema since approxomately 2006, and each year it has gotten worse. Every
month for the past several years, I’ve watched wonderful films get released,
get good reviews, have big advertising campaigns, and then attract little to no
audience, even in New York City. Not only do people not see them, no one even
notices them. I call this the Great Tuning Out of Cinema of the Early 21st
Century.
Before going any further, let me define “cinema.” I am
certainly not referring to all movies. By cinema I mean movies that function as
works of art, not as entertainment -- the kind of movie that would tend to be
called a “film.” Entertainment provides an escape from reality, in a sense
turning your mind off. To me, art is the opposite. Art pushes you into closer
touch with reality and arouses your mind. It contains ideas about reality, not
an escape from it.
Classic examples of cinema: “2001: A Space Odyssey,” “Five
Easy Pieces,” “Chinatown,” “Taxi Driver,” “Raging Bull.”
Recent examples of cinema: “Sherrybaby” (2006), “I’m Not
There” (2007), “Synecdoche, New York” (2008), “The Hurt Locker” (2009),
“Winter’s Bone” (2010), “Meek’s Cutoff” (2011).
Whereas popcorn movies (entertainment) are more popular than
ever, interest in cinema (art) seems to be disappearing – at least in America.
When I published my list of Top 15 Films of 2011, I heard
this from many people: “I’ve never even heard of those movies.” And I’m not
talking about people who live in the middle of nowhere or have sixth-grade
educations. I’m talking about college-educated people in New York.
Were the films on my list obscure, never released in
theaters? Absolutely not. All but one got a big release in cities and a
large-scale press campaign. In New York, prominent reviews appeared in
mass-market publications such as The New York Times, Time Out New York, and The
Village Voice.
People never heard of these movies because they IGNORED all
the press coverage and advertising. In general in the 21st century, Americans
are tuning out cinema. No matter how big a splash a serious, intelligent film
makes, people (even well-educated urbanites) will do whatever they can to look
the other way. The only movies they want to notice are popcorn movies.
It appears to me that Americans have decided that cinema is
not important to them anymore. I hope someday that this will change, and I
hope articles such as this might help speed that change. But my sense is that
this might be a sea change in American culture and might be permanent. Cinema
looks to me like it might be a vigorous but small phenomenon in the 21st
century – at least in America. I hope I’m wrong, but I don’t believe I am.
This last Oscar season was deeply depressing. The level of
interest in the general culture couldn’t have been lower. Almost no one wanted
to see any of the films nominated for Best Picture. I followed the box office
returns with care. Throughout the entire awards season, interest in nominated
films was non-existent. Every film that was nominated for awards showed over
and over to empty theaters.
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