It has its flaws, but "Strange Cargo" is an
interesting and enriching work of art with an unusually pronounced spiritual dimension.
Set in the South American jungle, it tells the story of an inmate in a remote penal colony (Gable) and a tough broad from the gutter with no family (Crawford) struggling to get by working in cheap nightclubs (probably including prostitution).
Set in the South American jungle, it tells the story of an inmate in a remote penal colony (Gable) and a tough broad from the gutter with no family (Crawford) struggling to get by working in cheap nightclubs (probably including prostitution).
Gable and several other inmates break out of the prison, and
we follow them on their grueling trek. For reasons I won't explain, Crawford's
character ends up going with them. Along the way, they all learn a lot about
each other and the demons they're fighting.
There are so many characters that it gets a bit dizzying,
and the script sometimes is a bit overly brainy. But there's a lot here to
appreciate, and I'm saddened that "Strange Cargo" has been so
completely forgotten.
In my continued exploration of the films of Joan Crawford,
I'm realizing something more deeply than ever. The vast majority of good films
have been forgotten. American culture has a bizarre tendency to forget about
its movies. You'd think that good films would leave more of a trace in the
culture. So much good work that no one knows about.
The director of "Strange Cargo," Frank
Borzage (a man I've never heard of before this), won a Best Director award at
the very first Oscar ceremony in 1929. The film was "Seventh
Heaven," starring Janet Gaynor. She also won an Oscar that night, for that same film. Another
forgotten American movie from a forgotten American director starring a forgotten American actress.
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